GETTING OUT AND ABOUT

The summer term started at the yard:ARTspace, Cheltenham this week. Since starting workshops and courses at the yard, 4 years ago, I have found myself a bit Cheltenham bound. But a couple of weeks ago I was found venturing out to the Nottingham area to deliver a workshop

at the marvelous Hope and Elvis.

Two wonderful days delivering my signature workshop, Mixed Media Sketchbook techniques to include Gum Arabic Transfer...I really must make that title more snappy.

There are 2 things that recommend a Hope and Elvis workshop. The fantastic organisation of the lovely Louise Asher and the fabulous food at lunch time. This photo sums up both.

Everyone who attended the 2 day workshop was made to work extremely hard.

Lots of mixed media with ink, bleach and wax combined

with oiled based ink and

my favourite technique

gum arabic transfer printing.

A great deal of experimental work was done on paper and into sketch books.

The paper was duly folded into a book form,

then glued to create a library of

booklets.

Everyone made very personal pieces. Fantastic to see when everyone uses the similar techniques.

Look out for this edition of Be Creative with Workbox 

I have a 'how to' article explaining Gum Arabic transfer in detail.

Or go to my Etsy shop MadeBySueBrown,  for a selection of 'How to ' leaflets

and original hand-stitched, gum arabic transfer printed Garden Stories.

WITH WINGS

I am having a small break from bird collagraphs. I am giving myself sometime to explore new techniques together with new subject matter.

But as you can see, I am not moving too far away from the subjects I love to research.

Entomological collections and wings.

Natural history together with the collection and study of it is close to my heart. 

Something that my father encouraged.

So as you know I start with drawing, drawing, drawing.

Then plate making, yes there has to be collagraph here somewhere. 

But I need to push myself and my use of materials further.

Caroline McCatty, a super supportive artist friend has given me lots of silk. 

So 'what if ' I print my collagraphs on silk?

What if I rust the silk first, then print on it?

What if I combine collagraph with gum arabic transfer printing and start to layer everything up...

on silk? 

I am at the experimental stage, but thanks to the encouragement of Caroline

 I am beginning to move in a very different direction...or am I?

I am realising that I have missed doing proper research and development work and have to acknowledge that it is not always about producing sale-able work.

While I am in a thanking mode, I received an email this week from Anuj Agarwal, founder of Feedspot. My blog has been voted one of the Top 20 Printmaking Blogs on the web. 

Thank you Anuj and everyone who reads  this blog. I look forward to many more posts.